When it comes to respectful heritage renovations that are high on impact, the ones that masterfully walk the tight rope between old-school and contemporary, things simply don’t get much better than this guy right here. Located in Melbourne’s inner suburb of Kew, Pettigrew House was initially built in 1943 by Robin Boyd. Boyd is arguably Australia’s most influential architect there’s ever been, and this historically significant home was his first residential design. Built in three stages over three decades, “the house is classic in Boyd architecture with its industrial simplicity of a flat, elongated roofline, sustained banks of windows, floor to ceiling glazing and a lounge room that opens up to a modest courtyard,” explains David Flack, whose eponymous design practice was commissioned to transform the home for a young family.The Pettigrew-Boyd House spreads over two levels consisting of a master bedroom with ensuite and walk-in robe, powder-room, gallery-style kitchen/laundry, formal living room, rumpus room and two bedrooms. Over the course of 24 months to design and 12 months to build, Flack Studio undertook the full scope project focussing on materiality, integrity, detail and spatial planning. They delivered a complete furniture, furnishings, art and object package in collaboration with Simone Haag. See more projects from Flack Studio on Yellowtrace here. “Working on a Robin Boyd home emphasised the importance of working with honest materials and allowing the personality of the home to shine,” says Flack. “We did extensive research on Robin Boyd – our intention was to create a space that would allow it to cater for modern-day life and the way we live in the 21st century. It was important to be as empathic to Boyd’s original architecture; however, we still wanted the home to feel very Flack Studio.” Well, if you’re familiar with the work of this exciting interior design practice, this house most certainly feels ‘Flacked-to-the-max’. Visually arresting, with a rich and layered aesthetic that’s exciting and eclectic on the one hand, yet humble, honest, respectful and deeply rooted in Modernism on the other – this home is the ultimate design chameleon that transcends eras and genres.The clients’ complete trust allowed Flack Studio to come up with a design that didn’t compromise Boyd’s original ideas, but enhance them. “Our clients were clear they didn’t want to live in a museum and wanted a little drama,” says David. The home had to feel classic and wear well for the next 70 years. “Being a significant Robin Boyd home – it was important to continue the conversation he had started while creating something new.” Everything was touched in the space – restoration to existing timberwork, through to replacement of like-for-like materiality where possible. Extensive spatial planning allowed for the addition of a powder room, master bathroom, master robe, kitchen with adjoining scullery and laundry, which was previously accessed from the exterior of the house.“Although not as straightforward as one may seem, the brief was always clear – provide the functional requirements for this young family home, while preserving and honouring a significant piece of Australia’s architectural history,” says David. “Flack and Boyd felt like a comfortable fit from the beginning, a similar approach to spatial planning and ensuring everything had a place. Ultimately it’s about creating family homes that will stand the test of time.” [Images courtesy of Flack Studio. Photography by Derek Swalwell. Styling & Furniture by Flack Studio & Simone Haag.] Share the love:FacebookTwitterLinkedInEmailPinterest 2 Responses Dianne Bayley November 29, 2019 Beautiful, respectful, amazing…..love it! Reply peta colebatch November 29, 2019 Yes, I love the Robin Boyd houses… But why oh why the louvres? Dreadfully difficult to clean, so I’m surprised they were left, or were they added? ReplyLeave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Δ
peta colebatch November 29, 2019 Yes, I love the Robin Boyd houses… But why oh why the louvres? Dreadfully difficult to clean, so I’m surprised they were left, or were they added? Reply