Highlights From Milan Design Week 2018.

COME TO OUR MILANTRACE TALKS!

Brisbane: Monday, 21 May 2018 (Evening Session)
Melbourne: Tuesday, 22 May 2018 (Lunchtime Session)
Melbourne: Tuesday, 22 May 2018 (Evening Session)
Perth: Thursday, 24 May 2018 (Evening Session)
Sydney: Wednesday, 30 May 2018 (Evening Session)
Sydney: Thursday, 31 May 2018 (Lunchtime Session)
Sydney: Thursday, 31 May 2018 (Evening Session)

Team Yellowtrace travelled to Milan courtesy of Cathay Pacific, who fly to Italy several times each week. Cathay’s great connections from Australia allow getting from Sydney to Milan in under 24 hours, including transit times. For more information visit cathaypacific.com.au.

The previously inaccessible to the public, Villa Borsani opened for the first time. Amongst some of the most cherished experiences for me this year has been our visit to Villa Borsani — which architect Osvaldo Borsani built for his twin brother and Tecno co-founder Fulgenzio in 1943. More to come soon.

Villa Borsani had been unoccupied for 10 years and never before opened to the public, so the family invited curator Ambra Medda to fill it with flowers, artworks, and other everyday objects bringing vibrancy and soulfulness to the previously still and stale home. More to come soon.

Left: Chatting to trend forecaster Lee Edelkoort in front of her installation for Google at Rossana Orlandi. Lee happens to be the first official ‘participant’ I spoke to at Milan Design Week 2018, and this conversation certainly set the tone for what was going to be a great week. Right: Google installation at Rossana Orlandi.

ANOTHERVIEW at Rossana Orlandi’s courtyard – an ongoing project that sits at the intersection of product design and video art.

Left: Newly launched TGV lamp by Ionna Vautrin for Moustache. Right: I am so sorry, but have no idea who’s light this is. Can you help?

Halo light by Studio Mandalaki at Rossana Orlandi.

Rossana Orlandi herself and some very cool sculptures and objects scattered throughout the courtyard and the garden, which opened up at the back of the gallery for the first time this year, making room for a series of design talks.

Chatting with the lovely and talented Beirut-based Nada Debs. Nada’s marquetry pieces are out of this world. Right: Yamakawa Rattan from Tokyo.

Wonderful to see the PET Lamp Ramingining project at Rossana Orladni. Only two of these lamps were ever made by Alvaro Catalán de Ocón in collaboration with Indigenous Australian weavers. The other lamp was exhibited at part of NGV Triennial in Melbourne, which we’ve previously written about here.

Left: Dreamy ceiling moment at Lexus Design Event 2018 – Limitless Co-Existence by Japanese architect Sota Ichikawa of dNA (doubleNegatives Architecture). Right: Arcadia by Sara Ricciardi, curated by Alice Stori Liechtenstein and presented by Schloss Hollenegg for Design.

Local Milan No.3 presented by LOCAL DESIGN & curated by Emma Elizabeth. The exhibition brought together the work of 26 Australian designers, becoming the largest independent showcase of Australian design in Milan to date. Amazing! Pieces by Tom Skeehan (arcmahir & lights); Adam Goodrum & Arthur Seigur (marquetry cabinet); Nicholas Fuller (screen).

Local Milan No.3. Left: Fred Ganim (coffee table in foreground); Jon Goulder for Spence & Lyda (innate chair & side table); Nicholas Fuller (floor lamp); HAVA Studio (both wall mirrors); Jamie Durie (pedestal dining table). Right: Adam Cornish (stools); Charles Wilson (armchair); Ross Gardam (coffee table in foreground).

Local Milan No.3. Left: Reflecting on the situation in Hava Studio’s mirror. Middle: Daniel Emma (chair, rug & vase). Right: Henry Wilson, probably in the middle of checking Instagram.

Local Milan No.3. Left: Wall lights by Christopher Boots: Right: Tom Fereday (chair), Adam Cornish (stools); Kate Banazi (hyper colour screens).

Left: ACT III collection by Apparatus, inspired by Creative Director Gabriel Hendifar’s Persian heritage. Right: The incredibly beautiful lighting collection ‘Super Natural Daydream’ by Giopato&Coombes.

Paris-based Garnier & Linker’s debut in Milan was small but exceptionally beautiful.

Vegan Design – Or the Art of Reduction was a solo show of Israeli designer Erez Nevi Pana at Garage Sanremo, curated by Maria Cristina Didero and produced by 5vie. The Eindhoven Design Academy graduate showcased a unique approach to the world of design: with integrity and without guilt.

Vogue Italia’s Editor-in-Chief Emanuele Farneti invited eight internationally acclaimed designers to develop the Editorial Staff rooms and décor in their own inimitable styles. “Life in Vogue” was a reflection on the way we live in the contemporary office today. Left: Vogue Talents Office by Muller Van Severen. Right: Editor-in-Chief’s own office by Faye Toogood.

“Life in Vogue”. Left: The Creative Director’s Office by Sabine Marcelis. Right: The Current Affairs Office by Patricia Urquiola.

“Life in Vogue”. Staff Meeting Room by Quinconces–Dragò.

Little moment on board Tram Corallo. Cristina Celestino reimagined a historic 1928 Milan streetcar into a travelling salon that circulated the Brera district.

Studiopepe’s Club Unseen was, for my money, the coolest event in Milan this year. More to come soon.

Chatting to the super talented Studiopepe’s Arianna Lelli Mami at Club Unseen. More to come soon.

Oki Sato of Nendo casually hanging at his exhibition Forms of Moment at Superstudio in Tortona, as though his studio hadn’t just turned around 1,239 projects for Milan Design Week. Freak. Right: Detail of one of Nendo’s mind-mending tables at Forms of Moment. My brain hurts.

Nendo’s sand clocks dubbed Variations of Time at the Forms of Moment exhibition.

any/ everyWHERE installation by Neri&Hu for Stellar Works at Tortona. On the left is the newly launched Industry Dining Armchair also by Neri&Hu. Available in Australia from Living Edge.

“Hidden Senses” by Sony Design was a huge highlight of the week. This multisensorial experience unfolded over several rooms, visualising an enriched lifestyle for a new tomorrow. The exhibition showed possible interactions between people, objects and spaces, building on the fact that technology is part of our daily life. Left: Shadows cast by two pieces of paper are not real. Right: Colour on the wallplates change in reponse to person’s movement, allowing an individual to paint them in different colours by simply running their hands through the air. Magic.

“Hidden Senses” by Sony Design. Wall camera turns an image into an instant sketch which projects like an artwork on the wall.

“Hidden Senses” by Sony Design. Interactive artwork can be changed, turned, zoomed into by simply stepping towards the photo etc. So cool. I was so impressed and so excited at this show, I literally cried like a child.

Dutch collective Envisions for FINSA continued the excellent exploration into the possibilities of solid surface materials in design.

Boffi Showroom on Via Solferino, which now incorporates beautiful furniture form De Padova.

Boffi Showroom on Via Solferino, which now incorporates beautiful furniture form De Padova.

DIMOREGALLERY presented Transfer, an installation presented inside tents furnished with historical pieces, and scenes from everyday life.

Entry to DIMORESTUDIO apartment.

DIMORESTUDIO’s Progetto Non Finito, which this year honoures the theme Perfettamente Imperfetto (Perfectly Imperfect), inspired by the Italian middle class of the 60s and 70s.

Left: Brodie Neill’s Made in Ratio presented Focus – collection of four new designs shown alongside some of the brand’s most-recognised works. In this image are Focus coffee table and Rotor stool/ side table from the new collection. Available in Australia from Living Edge. Right: In response to the urgent global issue of waste, Really upcycles end-of-life textiles into new materials. This year, Really and Kvadrat invited Raw-Edges, Front, Benjamin Hubert | LAYER, Christien Meindertsma, Jo Nagasaka, Claesson Koivisto Rune and Jonathan Olivares to create projects with Solid Textile Board and Acoustic Textile Felt. Shown here is cabinet by Raw Edges.

Blocky chairs by Jo Nagasaka for Really and Kvadrat.

Vitra’s “Typecasting” was an assembly of iconic, forgotten and new Vitra characters which took place in the former sports arena at La Pelota. Curated by Austrian-born, Paris-based multidisciplinary designer Robert Stadler, Typecasting brought together some 200 objects, drawing on the extensive Vitra archives of classics, prototypes, special editions and future visions. Available in Australia from Living Edge.

Typecasting placed a central focus on the social function of furniture in society – and of chairs in particular. Along with their obvious practical use as seating, chairs have historically had an additional representative function: the selection of a specific chair is also a personal act of “image cultivation”.

Lee Broom’s Observatory sees the return of British designer’s focus to lighting. Left: Orion modular tube lights with opaque and solid polished gold spheres. Right: Aurora scalable chandeliers of infinite possibilities.

BassamFellows presented ‘Subtle Deluxe’ furniture collection, inspired by the sinuous, deceptive simplicity of Mies Van der Rohe’s modernist principle of ‘Less is More’.

Right: ‘Subtle Deluxe’ coincides with the launch of BassamFellows’ new range of textiles and transitional furniture for indoor/outdoor. Available in Australia from Living Edge.

Left: Hem Apartment in Brera. Middle: Dana Tomic Hughes LOLing and blending in with the palazzo. Right: Gucci Wall in Brera, because, well… Gucci.

Left: At Wallpaper handmade, Australian designer David Caon presented ‘Ceremony’ in collaboration with Christopher Farr – an homage to the traditional Japanese tea ceremony, with a nod to the social aspects of Italian aperitivo. Right: Also at Wallpaper, British brand PINCH presented two new cabinets alongside Achilles, Avery & Emil – their latest dining story shown here.

Left: Breath III by London-based Based Upon is a sculptural piece which recreates ancient rocks, featuring lighting that responds to the viewer’s presence. Amazing! Right: The most fun (and most inappropriate dance moves busted by yours truly) award goes to Disco Gufram. Gufram owner Charley Vezza’s conceptualised a discotheque which celebrated the new pieces created for the brand by Italian studio Atelier Biagetti (Alberto Biagetti & Laura Baldassari), Dutch studio ROTGANZEN (Robin Stam & Joeri Horstink) and French studio GGSV (Gaëlle Gabillet & Stéphane Villard). Available in Australia from Living Edge.

High-end lighting brand Masiero presented new collections in a seductive space that was once a printing house.

Under the vaults of Ventura Centrale, Baars and Bloemhoff returned with ‘Transitions III: Experimental Inventiveness’, with six leading Dutch design studios who worked their magic to transform with the company’s extensive materials collection.

Baars and Bloemhoff’s ‘Transitions III’ features the work by Bart Joachim van Uden, Christian Heikoop, Floris Wubben, Job van der Berg, Mae Engelgeer and Studio Truly Truly. So, so, sooooo good man!

Left: Eileen Fisher’s DesignWork presented WASTE NO MORE – an exhibition curated by Lidewij Edelkoort and Philip Fimmano, which critiqued consumption and shone a light on the emerging circular economy. Right: Fun installation by HARU Japanese Washi tape under the Vaults of Milan’s train station at Ventura Centrale.

Left: One of the interactive characters from Stephan Hütlemann’s mesmerising installation ‘Giants With Dwarfs’ for Switzerland’s oldest chair and table manufacturer Horgenglarus. Right: A moving installation by Antonio Aricò for Editamateria furniture brand called ‘Una Stanza’ (A Room).

PARADIGM Exhibition by Fabrica in collaboration with Pierre Frey – a visual exploration of basic human needs questioning the power of the image in contemporary design.

Buro Belén and Sun + at ALCOVA – a series of wearables designed to protect people from the sun’s harmful rays.

Also at ALCOVA, Bloc Studios presented a series of objects created in collaboration with Valentina Cameranesi and Nick Ross, and design studio Objects of Common Interest. Another one of this week’s major highlights.

Chatting to the clever and talented Sara Ferron Cima of Bloc Studios about boobie vases by Valentina Cameranesi.

Materia Mater by Architetti Artigiani Anonimi – collection of furniture made from terracotta that emulates architectural systems on a smaller scale, inspired by the Amalfi coast.

Left: Elemental cabinet by the recent Eindhoven-graduate Kostas Lambridis. This monumental piece is inspired by the 18th-century Badminton cabinet that twice set the record for the most expensive piece of furniture ever sold. Right: A little random moment at ALCOVA of two guys playing chess – presumably a performance piece of sorts as both the sounds of their movements and the chess timer were amplified so they could be heard throughout the space. Only in Milan.

Lunar, Orbit and Solar Chairs by Slovenian-Born, London-based designer Lara Bohinc of Bohinc Studio.

Georgian duo ROOMS celebrated 10 years with a solo show which brought together existing pieces and new work, like the Terracotta Totems/ Candleholders on the left and Alchemy Tables on the back right.

Left: 3D Print Tech Company Aectual made a beautiful in Milan with an exhibition at Ventura Future in collaboration with DUS architects, showcasing sustainably produced bespoke 3D printed Floors with terrazzo infill. Right: Super cool pieces by REM atelier at Ventura Future.

Left: Canadian brand ANDlight. Right: Russian studio Supaform’s fun installation called DISUSED.

New pieces from Editions Milano left to right – Victoria Lights by Bethan Gray, tables by Patricia Urquiola and Triangoli Marble Vessels by david/nicolas for Editions Milano.

Left: HAWA Beirut collection by Richard Yasmine. Right: Lebone lamp in Brass by Inès Bressand for Mabeo.

Decò pendant by Federica Biasi; Dome lamp by Valerio Sommella, Minima armchair by Denis Guidone and Gatsby scrren by Federica Biasi for Mingardo.

Left: Montreal-based brothers in law, Gabriel Kakon and Scott Richler of GABRIEL SCOTT installed their new lights inside Milan’s institution Bar Basso, renowned as the hub for late-night shenanigans during the design week. Right: Futuraforma collection by Marcante-Testa for SEM Spotti Edizioni Milano.

Left: Pivot by Giacomo Moor and Right: Check collection by Elisa Ossino for SEM Spotti Edizioni Milano.

Calico Wallpaper and Lindsey Adelman presented Beyond the Deep – a collaborative exhibition that immersed visitors in an aquatic-inspired world of alchemy and decay. The New York-based brand debuted Oceania murals and Drop Lighting respectively.

Chatting to the gorgeous Lindsey Adelman.

In what was easily the week’s most show stopping spectacle, Hermès launched the latest homewares collection inside Milan’s La Permanente art museum. The space was transformed with a series of towering pavilions clad in more than 150,000 handmade Moroccan zellige tiles that gave the sense akin to being under water.

Hermès’ installation was designed by Charlotte Macaux Perelman, and took no less than 3 weeks to build.

Left: Horah by Raw Edges at Spazio Krizia. The installation which takes its name from the popular Israeli dance, formed of 30 cast-glass lampshades crafted and engineered by WonderGlass. Right: Entry to Louis Vuitton’s ‘Les Petits Nomades’ travel-inspired home accessories at Palazzo Bocconi.

Scenes from Louis Vuitton’s Les Petits Nomades at Palazzo Bocconi. The main hall was animated via a canopy of suspended leather flowers. Right: Bomboca Sofa by Fernando & Humberto Campana.

Scenes from Louis Vuitton’s Les Petits Nomades at Palazzo Bocconi. Right: Tropicalist Vase by Humberto & Fernando Campana.

Elle Décor Italia staged an immersive, multi room installation at Palazzo Bovara, called Onlife: Millennials at Home – a series of spaces where analogue meets digital.

Scenes from Elle Décor Italia’s Onlife: Millennials at Home at Palazzo Bovara.

Living Room sets at Elle Décor Italia’s Onlife: Millennials at Home at Palazzo Bovara.

Gubi’s installation at Palazzo Serbelloni was quite a spectacle, although one could argue the palazzo setting overwhelmed the furniture in this instance. Left: Pacha Chair originally designed by Pierre Paulin in 1975.

More Gubi and Palazzo Serbelloni action.

Left: Gubi at Palazzo Serbelloni. Right: Patricia Urquiola for Atelier Swarovski – a range of wobbly, flexible containers. So clever.

Always wanted to go inside the amazing leafy building on Via Mozart, just down the road from Villa Necchi, and this year we got the chance to do so with Doppia Firma’s Third Edition called Double Signature.

Fornasetti’s ‘Through The Clouds’ at WonderGlass’ installation at Via Vivaio called Kosmos.

Invisible Cities by J&PEG for WonderGlass was a highlight of Kosmos. The stop-motion film told a surreal tale of a glass ball lost in a magical world that both celebrates the utopian vision of the city and the role of glass within architecture and urban environments.

Alcova by Ronan & Erwan Bouroullec for WonderGlass is a collection of handcrafted geometric objects that can sit alone or be grouped to create intimate landscapes. Beyond beautiful! Available in Australia from Living Edge.

COS presented Open Sky, a large-scale sculptural installation by artist Phillip K. Smith III, site-specific to Milan’s Palazzo Isimbardi.

Left: Open Sky by Phillip K. Smith for COS. Right: In the courtyards of Palazzo del Senato, home to Milan’s State Archives, Cleaf presented an installation Surfaces from the Antipodes, designed in conjunction with Bestetti Associati and Studiopepe.

Left: Colourful installation on the ground floor of Nilufar Gallery on Via della Spiga. Rug by Pierre Marie. Vintage wall lights from Azucena (1958). Vintage corner cabinet from Fontana Arte (1950s). Velvet upholstered ‘Renaissance table’ & ‘Renaissance Chairs by Roberto Baciocchi for Nilufar Editions. Sputnik Triple floor lamp by Bethan Laura Wood commissioned by Peter Pilotto. Right: On the second floor of Nilufar was Chez Nina – a private club named after Nilufar’s founder Nina Yashar. The club was designed by India Mahdavi as a celebration of Nina’s great passion for India.

Lasvit presented Monster Cabart, a magnificent installation inside Teatro Gerolamo – a puppet theatre modeled on the famous La Scala, and built in 1868. The theatre reopened in 2017 after more than 30 years of closure. In the centre of the space was ‘The Independent’ multimedia totem billboard by Maxim Velčovský. Every hour, Prague´s burlesque dancers took to the stage with a performance that brought together burlesque and light. Totally awesome and so Euro, it hurts! Available in Australia from Living Edge.

Caesarstone presented ‘Altered States’ by Snarkitecture at Fuorisalone at Palazzo dell’Ufficio Elettorale di Porta Romana, which opened to the public for the first time (owned by the founder of Europe Hotels Private Collection).

Snarkitecture’s installation explored the core theme of the kitchen island, while looking at water as the most important “ingredient” in the kitchen and drawing inspiration from its changing states in nature (glacier, river, geyser) and in the kitchen (ice, water, steam).

One of the most ‘vibing’ installations in Milan was HAY x SONOS x WeWork at Palazzo Clerici. Hay furnished the entire palazzo showcasing the versatility of their collections through different settings – from workspaces, living spaces, kitchen & dining etc.

What made the HAY x SONOS x WeWork collaboration particularly successfully was the energetic and friendly vibe established through music which played throughout the Palazzo and its courtyards via the wireless speakers.

Palazzo Clerici is a lavish neoclassical former residence adorned with frescoes & 17th-century tapestries, but the presence of contemporary music made the palazzo feel relatable, liveable and accessible. Genius.

Meanwhile at the main fairground at RHO Fiera, USM stand knocked it out of the ballpark.

Left: Kristalia Stand at Salone del Mobile 2018. Right: Artek Stand at Salone del Mobile 2018.

Left: e15 Stand at Salone del Mobile 2018.Available in Australia from Living Edge. Right: Corner detail from Knoll’s Modernism-inspired Stand at Salone del Mobile 2018. So gewd! 

Left: Pleasing colour situation on Moroso Stand at Salone del Mobile 2018. Right: Coedition Stand at Salone del Mobile 2018.

Left: Crinkled walls at the Established & Sons Stand at Salone del Mobile 2018.Available in Australia from Living Edge. Right: Tonelli Stand at Salone del Mobile 2018. 

Left: Arflex stand hotness at Salone del Mobile 2018. Right: Scenes from SaloneSatellite 2018, curated by Marva Griffin (who makes a cameo on that TV in the foreground).

Left: Sakari Hartikainen at SaloneSatellite 2018. Right: Earnest Studio at SaloneSatellite 2018.

Left: Jonas Lutz at SaloneSatellite 2018. Right: Rust Harvest by Yuma Kano at SaloneSatellite 2018.

Back in town, Viabizzuno and HENRYTIMI staged a sublome installation called Silentium, inside Chiesa di San Marco in Brera. A perfect op for a new profile photo, naturally.

Small Town installation at Orto Botanico di Brera (Botanical Garden).

David Lopez Quincoces and Fanny Bauer Grung (both Piero Lissoni alumnis) are the cool young couple behind Milan’s newest design destination: Six Gallery.

For this year’s presentation, Six Gallery team created a dreamy wheat ceiling installation by attaching 38,000 individual pieces of wheat—by hand!

Housed in an abandoned monastery in the Navigli neighbourhood, Six Gallery is A hybrid space showcased the duo’s own beautiful new furniture collection alongside a selection of well-known and anonymous vintage pieces.

Next to the gallery is Quinconces–Dragò’s design office where all the magic happens.

Driving on one of my favourite streets in Milan – Corso di Porta Ticinese.

Set within the historical Museo Diocesano, Bar Anne brought together the biggest break out talents from the Netherlands. Architecture firm Space Encounters designed the framework for the installatinon (on the right).

Also at Museo Diocesano, Nothing New by Lensvelt was a political statement and an installation-protest that attacks contemporary waste. Everything on show was bought on eBay or rented by individuals for the duration of the event.

Paola Lenti presented Elementi inside the industrial space on Via Orobia 15.

Left: Toku shade structure by Vincent Van Duysen for Paola Lenti.

The newly opened tower at Fondazione Prada by OMA, and me looking at it, melting from the heat and feeling fkng annoyed we couldn’t spare 4 hours to queue up and experience it first-hand. Dammit!

The Vereda festival at Marni was an evocative voyage into the colours, folklore and artisan traditions of Colombia. The joyous installation was inspired by tiny urban settlements in Columbia, becoming the backdrop to MARNI’s new collection of furnishings and accessories handmade by local women in Colombia.

Left: Inside the Amen showroom at Via Sirtori 32, the young wallpaper brand Texturae set up a 70s-style club art-directed by Chiara Andreatti, in collaboration with Paradisoterrestre, the vintage furniture brand founded by Dino Gavina. Right: Rug by Swiss designer Christoph Hefti at Assab One.

‘That horse, slamming doors’ installation of textiles and ceramics by Christoph Hefti at Assab One.

London based, Polish born painter Antoni Malinowski’s installation ‘Almost Seen’ alternated the selection of light sensitive paintings with light specific wall drawings.

Called ‘Alone Together’, American architect Johanna Grawunder constructed two large paths of light and colour which the visitors could enter and have a walk through.

Johanna Grawunder’s bright hanging constructions in diverse material and the surrounding darkened space offered an experience of crossing between reality and vision (not to mention an excellent #TeamYellowtrace photo op – boom!)

‘Alone Together’ by Johanna Grawunder at Assab One.

Nilufar Depot celebrated the work of Italian-born Brazilian modernist architect Lina Bo Bardi. Nina Yashar gathered and exhibited the highest number of pieces ever designed by Bo Bardi under one roof. The exhibition was conceived by Space Caviar in collaboration with the graphic and design consulting firm Studio Vedèt.

Nilufar Depot was pulling pretty hard on my heartstrings during our visit. I fell in love with the screen by Marsica Fossati in Brass & Velvet Upholstery.

There are countless beautiful corners at Nilufar Depot. Right: Guise Collection by Odd Matter for Nilufar seemed completely out of place, but that’s precisely what made is so damn exciting.

Over at HENRYTIMI showroom, we got a detailed tour by Mr HENRYTIMI himself of the many sublime, super-high end furniture/ kitchen/ joinery pieces.

Details from HENRYTIMI showroom in Brera.

Our final stop this year was Palazzo Litta, where London-based architect Asif Khan created an installation ‘Tempietto nel Bosco’ (Temple in the Forest) – a grid of red-stained timber columns in the courtyard designed as a place of refuge for the visitors.

Left & Right: ‘Tempietto nel Bosco’ by Asif Khan. Middle: Flowered Office by Manerba.

Left: ABCD seat by Faye Toogood for Takeyari (Canvas). Right: Ron Arad for Nude Glass at Palazzo Litta.

Le Sfere di Gino Sarfatti exhibition by Astep at Palazzo Litta.

One last view of Asif Khan ‘s ‘Tempietto nel Bosco’ through the window of Palazzo Litta. And PHEW – that’s it from me dearest Milantracers. I am knackered after this EPIC roundup of our week’s highlights! Love you long time, Mama Yellowtrace xx

[Photography © Nick Hughes/ Yellowtrace. Dana Tomic Hughes dressed by Lee Mathews and A-ESQUE.]