Lluís Alexandre Casanovas Blanco has designed a chair in collaboration with his mother María Luisa Blanco using traditional weaving techniques. The piece of furniture acts as a historical investigation for Lluis into the politics of weaving, bobbin lace and the role gender plays in design history.The chair is a continuation of Lluis’ material essays first tested in his project the Real Estate Boom House from 2018. The research project looks into traditional craft techniques linked to people other than heterosexual men. A nod to this, the name is both an acronym for “Universal Military Training,” and the women’s magazine “Una Mirada Tranquila (A Quiet Look).”“Despite their fundamental contribution to the construction of modern housing, agents such as women, queer individuals and others have been overlooked in both architectural production and its history,” Lluis explains. “The project, which uses the Spanish context as a case study, explores the use of bobbin lace in tablecloths, rugs, curtains and many other textile elements as key in configuring contemporary domestic interiors in Spain and elsewhere.”In Continuous Transformation: Room on Fire by Lluis Alexandre Casanovas Blanco & Lys Villalba.Developed in conjunction with Masquepalabras Collective, the interior is a space in continuous transformation as the architects... Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 01 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 02 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 03 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 04 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 05 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 06 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 07 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 08 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 09 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 10 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 11 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 12 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 13 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 14 Lluis Alexandre Casanovas Blanco Umt Chair Traditional Weaving Concept Yellowtrace 15 UMT subverts the historical consideration of bobbin lace as “ornamental” and “superfluous” in architectural production by making the lace the main structure of an essential, male-associated element in design history: the chair.María knitted the UMT chair’s backrest and seat for more than three years. The making process is integrated within the design, with the weaving cushion, 24-carat gold-plated needles and wooden bobbins becoming part of the chair. The cushion takes its shape and proportions from the pillow of the classic LC4 Chaise Longue by Le Corbusier, Pierre Jeanneret and Charlotte Perriand, whose involvement in the making of this classic modern piece of furniture has been historically overlooked.The cotton yarn traditionally used in bobbin lacemaking is substituted here by high-strength fibre Dynemaa, a material commonly used in military equipment and scientific expeditions. By using this state-of-the-art material, UMT converts a historically decorative complement such as bobbin lace into a key structural element.'Forest' Presented by Halcyon Lake for Melbourne Design Week 2022.A series of eighteen suspended vertical panels explore the woven textiles of Iranian rug maker Edelgrund. Held at Black Cat Gallery... [Images courtesy of Lluis Alexandre Casanovas Blanco.] Share the love:FacebookTwitterLinkedInEmailPinterest Leave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Δ