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Sometimes, design translates to sound. Sometimes it’s so clear in its identity that it transcends the aesthetic and ascends into the audible. Enter the members-only Music Club by Levkovich Architects for those well-versed in the art of vocal and instrumental musical talent.

This particular space can be likened to the intro of the 80s hit song ‘The Chauffeur’ by Duran Duran, in its syncopated synth, sounds punctuated by a punchy drum beat that carries you through the whole tune. In some 85 square meters, Music Club does exactly this, with its glazed chocolate and terracotta interiors and glass-brick punctuations, a nod to the 80s era of technology and sound coming together, and space for owners who are still very much young at heart.

 

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With 2.6 meters of height to play with, the team at Levkovich cleverly introduced polished veneer ceiling panels to create the illusion of infinite space. Alongside the beams of natural light emitted from the glass-brick volumes and strategically placed downlights, these panels allow for light to ricochet from one side of the room to the other, further enhancing the rotund nature of the soft vintage furniture pieces, such as the retro lamps, dining chairs and lounges.

The only space seemingly lacking in lumens is the chocolate bar bathroom, with a singular strip of light reflecting onto the countertop, the floor-to-ceiling metro tiles illuminated in a glow reminiscent of a scene in Tron. Here, the red splashback gives the space life and suggests an atmosphere not dissimilar to that of a nightclub.

 

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The introduction of rigid geometric shapes in the flooring seems almost strategic in its juxtaposition to the softer elements that exist above it, supporting the notion that these elements are almost malleable, the treacle-coloured lounges seemingly bursting at the seams of their sewing buttons. This chequered carpet leads to the bar, with its marble countertop sitting squarely on top of a polished base, playing tricks on the mind as it reflects the pattern of the carpet alongside the chrome bar stools.

The bar is beaconed by an annular light fitting, framing the mirrored glassware display as it creates a conversation with the artwork to its left, reminiscent of the piece ‘Dance’ by Henri Matisse. Here, the bartender has a front-row seat to the performance of the evening, taking place on a soft, toffee-coloured stage, filled with musicians and friends alike, sharing in what could possibly be the purest form of love—music.

 

EDITOR’S NOTE

This project is located in Russia. While we do not condone the war in Ukraine nor agree with the state of Russia’s actions, we do not see any value in punishing individuals for something they have little control over.

Yellowtrace exists to promote good design, new ideas and creative thinking. We believe that good design is for everyone—it comes from all over the world and has the potential to unite us rather than divide us. For this reason, we have decided to continue to share work based on merit rather than location. We will take a similar approach to various global sporting events where Russian and Belarusian athletes can compete while not appearing as representatives of their countries.

While we understand not everyone will agree with our decision, this is what feels right for us. Thank you.

 

 

 

 


[Images courtesy of Levkovich Architects. Photography by Olga Shangina-Lesterlin. ]

 

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