Grand Hotel Terminus by Claesson Koivisto Rune

The warm colour scheme of Hotel Terminus’ Bar Amundsen refers to the outstanding whisky selection in the bar.

Bar Amundsen is named after the polar explorer Roald Amundsen, 1872-1928. The photo on the mantelpiece shows the press conference in this very room, the day before Amundsen left to rescue his main rival, Umberto Nobile. Amundsen vanished without a trace in the Arctic.

Original side tables, the Pelican Chair by Finn Juhl 1940 and the new Funghi pouf by Claesson Koivisto Rune. Combining designs from different time periods creates an inclusive and informal ambience. Artwork by Ed Moses.

Claesson Koivisto Rune, Grand Hotel Terminus Bergen | Yellowtrace

All art works in the Brasserie by Kjell Erik Killi Olsen.

Claesson Koivisto Rune have used a gentle touch when reinvigorating the Grand Hotel Terminus in Bergen, Norway for De Bergenske. The beautifully proportioned exterior shell has become a key member of the cityscape since its opening in 1928, affectionally dubbed the ‘Grand Old Lady’.

Ero Koivisto, joint founder of Claesson Koivisto Rune, explains the studio’s design aimed to respect this legacy, stating – “With a status such as this, subtle interventions and a gentle hand were required in order to bring out the best in its classical interior spaces.” The resulting hotel update celebrates the classic beauty of the past while softly introducing a contemporary feel – it’s love!

The exterior façade remains unchanged and stands with bold confidence, welcoming guests inside through deliciously stained double doors. Upon entering the reception, internal windows show glimpses of Bar Amundsen beyond, named after a famous Norwegian explorer.

The Brasserie stands as an example of the approach to the renovation of the hotel. A new soft colour on walls and ceiling highlights the original wooden panels. Tilted mirrors enlarge the room in a classic manner. Red chandeliers create a tension between old and new. Grappa chandeliers by Claesson Koivisto Rune, reflected in tinted mirror glass.

The intimate garden outside the banquet rooms on the first floor.

Contemporary Norwegian art features throughout the hotel. New mural painting in the Tearoom by Ole Jørgen Ness. In the background, an artwork by Kjell Erik Killi Olsen.

Entrance hall with a glimpse of Bar Amundsen to the left.

Delicately carved timber folds around the room like a blanket, embracing all those that enter with a warm hug. A black and white tiled floor ushers’ guests throughout the space, its geometric pattern mirrored on the domed ceiling above. The entrance into the hotel is one that speaks of old luxury, immediately setting the tone for the experience that lies beyond.

Bar Amundsen is a cosy, timber wrapped whisky bar – the perfect place to shelter from the cold weather outside. Bottles of glistening golden liquid are lined up along the shelves perfectly complimented by amber-coloured soft furnishings that now fill the room.

Room 210. The light green colour of the façade is repeated in the guestrooms. Graphic black and white patterns in combination with muted colours on all furniture. Modern classics, a Nelson Bubble pendant by George Nelson and a red uplight ES 57 by Egon Eiermann, spread a soft light.

Room 208. Art in all guestrooms by Nathalie du Pasquier, as a series of specially commissioned art prints made for Grand Hotel Terminus.

Custom designed marble bedside table produced by Monitillo Marmi. Hand-turned bedside lamp by Nick Hammond.

Old becomes new. Desk repainted and fitted with a stone top. Kelly chair, Lean wall lamp and Stardust fitted carpet, all by Claesson Koivisto Rune.

The standout black and white checkered tile bathroom viewed from the bedroom. Stockholm sanitary ware by Claesson Koivisto Rune.

Guest rooms feature a much lighter tone, as deep chunky timber is replaced with pastel green walls. Soft tones and textures are layered together to create a calming, muted interior. A grey upholstered couch sits alongside a deep green armchair and a geometric woven rug, generating a comfortable and inviting atmosphere. The simplicity is momentarily interrupted in the bathroom. Monochromatic chequered tiles cover every surface, creating a bold graphic injection that’s equally heritage appropriate but high on personality.

Grand Hotel Terminus is the fourth hotel designed by Claesson Koivisto Rune for De Bergenske in Norway. A celebration of the beauty of the past, the architects have managed to maintain a luxurious, classical feel while incorporating a fresh contemporary perspective – a combination we find utterly irresistible.