Olivetti Showroom in Venice by Carlo Scarpa.

Photo by George X. Lin

Photo by George X. Lin

Photo by George X. Lin

Photo by George X. Lin

Photo by George X. Lin

Photo by George X. Lin

Photo by George X. Lin

Image via thelongroadtovenice.com

Overlooking Piazza San Marco in Venice, Italy, peeking out from the cloisters and watching the hustle and bustle of passers by, is Carlo Scarpa’s Olivetti Showroom masterpiece. Typically Scarpa, typically Venetian and beautifully Italian, in every passionate detail. Designed in 1957-58, with construction complete in 1959, the showroom housed the Olivetti modern typewriters and calculator collections, made in the Italian town of Ivrea. At the time, the resulting showroom was a minimal and modern insertion into historical Venice, much of what Scarpa does best. And today, after closing its doors in 1997 and being reopened by the FAI (Italian Environmental Foundation), is preserved in all its vertical-planed and mitered-cornered glory.

Known for his stylisation of concrete and the expression of form, this showroom is no exception. As you enter the space through what seems like a hidden door (note, concealed hardware will do that to a person), you are saluted by the effortless series of perfectly formed concrete platforms that sing together as the central staircase. They are the connector between the two levels, but they are so very much more than a purely functional element. Planes of beautifully cured concrete are integrated at slighted transitions as you ascent the platforms. (Perhaps you might recall them featuring in this fun post that pairs fashion with modern architecture).

Image via cfwysor.wordpress.com

Image via archdaily.

Image via archilovers.

Image via archilovers.

The influence of Japanese architecture as muse is strong, as with all of Scarpa’s work. The absence of formal training is a non-issue for this architectural defiant. His self-taught Byzantine (meaning typically Venetian) style carries robustly through all his works, as if they all belonged to some well-curated catalogue collection. The use of stratification, layering, purposed offsets and considered hidden walls and entrances, are very much alive-and-kicking in this classic. The hand-cut mosaic floors, concrete, stone, bodies of water and beautifully polished timbered nods throughout, this showroom, as much as it is a beautiful place to display objects, is on display also. And rightly so.

The Olivetti Showroom is a handsome example of Scarpa’s treatment and integration of existing architectural language with a new current forms. His understanding of materials and their limits is an invaluable asset. Heavily Japanese-influenced, with purposed vistas and timber niches throughout, it is ultimately the laboired details, those that seem so considered, and yet so effortless, are what define Scarpa’s style. His attention to detail shows the workings of a man with a passionately clear vision, unencumbered by trend. A true classic.

[Image credits noted.]