Bergen Bors Hotel in Norway by Claesson Koivisto Rune

Claesson Koivisto Rune Transform the Former Stock Exchange in Norway into Bergen Børs Hotel | Yellowtrace

Slap in the centre of Bergen stands a rather imposing neo-renaissance structure clad in red clay tile and soapstone. This was once the Børshuset, the city’s stock exchange and the commercial heart of Bergen, where transactions were made, hands shaken and gavels banged onto heavy wooden desks to close the deal.

Today it is very different. Swedish architecture and design firm Claesson Koivisto Rune has transformed the landmark building into a new 127-bedroom hotel, where quietly luxurious contemporary design commingles with remnants of the building’s prestigious past.

The original stock exchange was completed in 1862 and redeveloped in the 1890s. Its neighbouring building, a former bank, dates from several decades later, while the third component was purpose-built for Norway’s DNB banking group in 1967. Together, they occupy an entire city block. The task faced by Claesson Koivisto Rune was to harmoniously combine three buildings, from three distinct architectural periods, into a coherent whole with a clear and consistent design language, without sacrificing the character gifted to them by history.

The firm have subtly and seamlessly united the trio, with most of the work concentrated on the third to sixth floors (the lower levels are largely devoted to commercial space). Apart from the occasional change in ceiling height, you’d never notice you’re stepping between buildings and across decades.

Against an understated palette of colours and materials, a number of the Børshuset’s original features tell snippets of its story. Wood-panelled walls stand testament to its days of trade; the soundproofed doors that once guarded confidential conversations from eavesdroppers now open into one room’s ensuite; and the former stock exchange manager’s office, complete with heavily protected safe, now offers respite and privacy to whichever hotel guest is lucky enough to be handed the key.

“We like the fact that it’s difficult for a guest to tell when the hotel was designed. For a guest it should feel seamless, like you’re staying in one hotel – not an “old” or a “new” room. Certain parts of the project had beautiful original woodwork or other fine craftsmanship – handmade lamps, beautiful cast windows, or elaborate metalwork. Everything new had to co-exist with this. Therefore our design has a certain neutral modernity attached to it. True luxury is always modest. We have tried to keep a restricted palette in both colour and materials – to make the hotel feel luxurious, but with a somewhat discreet atmosphere,” explains Eero Koivisto of Claesson Koivisto Rune.

The erstwhile Chamber of Commerce on the third floor is now the hotel’s bar and BARE restaurant – one of Bergen Børs headline attractions. From above the bar door, a bust of a former stock-exchange CEO gazes down rather austerely at the long marble cocktail counter below. Everywhere here, old and new vie for attention. Wooden panels dating back over a century are complemented and contrasted by mirrors cut and faceted to match them. These reflect the light of the chandelier – another souvenir of the past – adding an air of warmth and turning the bar into a shimmering box of light.

While the bar is cosy and club-like, the adjacent harbour-view restaurant – BARE – is a bright and open dining room, given a touch of character by wicker-backed Thonet chairs and graphic Serge Mouille light fittings, and granted the illusion of infinite expansion by wall-filling mirrors. Bar, dining room and reception are all composed in a palette of wood, leather and marble; Claesson Koivisto Rune have purposefully chosen tactile materials that will acquire a patina with time and use, telling Bergen Børs’ ongoing story as the hotel ages.