The Moon Jar by Akiko Hirai. Collection of Contained Boxes by Andrea Walsh. NET by Annie Turner. Geisha Handbag Series by Deloss Webber. Eolophus by Elke Sada. Surface Tactility #11 by Gental Ishikuz. Collana by Giampaolo Babetto. Mandala bowl by Giovanni Corvaja. Untitled by Harry Morgan. A regular sign by Heeseung Koh. Confübius by Henar Iglesias. Curved Block Seat by Jim Partidge & Liz Walmsley. Hui by Jing Feng Fang & Mi Dong. Reveal Table by John Eric Byers. The dark by Jokum Lind Jensen. Propagation Project by Junko Mori. KADO (Angle) by Kazuhito Takadoi. Three Legs Vase by Koichi lo. Innatus Forma 2018-1 by Kye Yeon Son. Cocoon Top Series 1 by Youngsoon Lee. Form of the wind by Masanori Nishikawa. Flame by Mayu Nakata. Blue Velvet from the “Soft Accents” Series by Michal Fargo. Funeral Clothes for the Women by Minhee Kim. Suctus by Ruudt Peters. Vestige by Sachi Fujikake. Tanka with Silver by Shozo Michikawa. Khadi Frays by Sophie Rowley. Rain box by Tomonari Hashimoto. LOEWE has revealed the 29 artists who are shortlisted for the 2019 LOEWE FOUNDATION Craft Prize. The finalists range from recent graduates and emerging artists to well-known names and leaders in their respective fields; LOEWE recognizes each as having made fundamental contributions to the development of contemporary craft. In its third edition, the prize presents a diverse spectrum of technique, media, and modes of expression.A panel of nine international experts convened in Madrid to review 2,500 submissions to select the shortlist, considering technical merit, innovation, and artistic vision. From there, a jury of 11 leaders from the world of design, architecture, journalism, criticism and museum curatorship, will select a winner.Works include Eolophus (Hallstattpiece) by German artist Elke Sada, an expressive interpretation of the vessel form made of terra nigra, engobes, and coloured glaze. Sada embraces the possibilities of clay and of colour during the firing process, applying expressive painterly surface treatment to an otherwise traditional vase.Japanese artist Gental Ishikuza took inspiration from a simple bag of oranges, elevating the humble form through his use of glossy red-wine coloured lacquer to add sensuous appeal. The finished product is entirely contemporary, belying the fact that the urushi lacquer technique originated in Japan between the 7th and 8th centuries.Even more luxurious is Netherlands-based Ruudt Peters Suctus series, forms made of bog oak, silver, and amber. The minimal pieces could better be described as wearable sculptures, surpassing conventional jewellery to forms more usually found in a museum or gallery.The finalists’ work will be exhibited at Isamu Noguchi’s indoor stone garden ‘Heaven’ at the Sogetsu Kaikan in Tokyo, from June 26 to July 22. The winner, to be announced at the opening of the exhibition on June 25, will be awarded 50,000 euros. [Images courtesy of Loewe Foundation.] Share the love:FacebookTwitterLinkedInEmailPinterest Leave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Δ