Category Archives: stories on design {thoughts, metaphors & tangents}

How We Create.


How We Create is an exciting brand new website launched this month during Saturday in Design in Melbourne. Husband and I were lucky to attend the official launch at Sun Studios in Cremorne, which felt more like a cozy get-together with friends, rather than an official launch thing, if ya know what I mean. What I’m trying to say is that it was low key, easy, warm, with lots of lovely and clever people in the room. My kind of event.

Co-founded by Australian designer Helen Kontouris and manufacturer Norman Johnson of Palamont, How We Create is a web portal on a mission to connect designers and manufacturers in Australia. Their goal is to support and grow the Australian design industry, and to increase our global awareness and export opportunities of Australian made products. Hooray!

The site is there to inspire the design community and push for local innovation, and also showcase a step by step process of designing and manufacturing products for the Design and Architecture industries in Australia. It is a truly wonderful initiative and an ambitious undertaking by everyone involved, and it’s co-founders have been very generous with their knowledge, contacts, resources and funds in their effort to establish a platform for creators to come together and cook up a quantum soup of pure potentiality. Honestly, how good is that?

I encourage you to take a little walk around the site, join the community of local designers and manufacturers by registering and getting involved. And if you have a project of your own or know someone who does, you can share it with others by submitting a story right here.



Ok, before I sign off I have to thank Sharon for including yellowtrace amongst the clever people showcased on the site. If you feel like having a little read, you can check out the feature right here. I can’t even begin to tell you how honoured I am to be featured alongside the likes of David Trubridge, Charles Wilson, Helen Kontouris, ISM Objects, Andrew Simpson, Jon Goulder, Simone LeAmon, Christina Waterson, Nick Rennie to name just a few. Ohhh, so grown up, right?

Also, check out this fantastic interview with the co-founder Helen Kontouris, where she talks about her desire to establish a culture of dialogue between Australian designers and manufactures.

Ok guys, is it just me or is this super inspiring stuff? Go on then – register, spread the word and get involved!

x dana

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Why is Beautiful & Inspiring Commercial Design so Scarce?

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I am always so interested in beautiful and inspired commercial/ corporate/ workplace design. Maybe because I’ve done so much of it over the years, and perhaps because it is in this discipline where I notice a real gap and a lack within our industry. Good commercial designs are few and far between, unlike residential, retail and hospitality interiors. So why is it so?

Is it because commercial design is too restricted by the budget and function in comparison to other sectors? I’ve seen many brilliant designs come out of tight budgets – this is precisely when a designer needs to be ultra creative, as he or she is not able to rely on those things that a generous budget can afford such as interesting finishes, amazing furniture, tricky lighting, creative consultants, artworks etc. This is true for good design in any genre. As for the function, I honestly don’t see how commercial design has a function that is more restrictive that that of a fine dining restaurant, a hotel or even some retail spaces. Am I right?

So what else could it be? Is it those quick turnaround times? I’ve personally worked on a project where I was engaged by a client 4 weeks before they had to move into their new tenancy. {And just for the record, I am NOT doing that shit again!} I was lucky to have had a great relationship with my client and also the head contractor {and still do!} but the process was extremely stressful to say the least. However, the end result was really successful, despite the super tiny budget {talk about a winning combo – no time or money. Oh boy! Again, refer previous comment in brackets}. I’m sure that fit outs in other sectors would have to be done just as quickly at times. I’m thinking of retail here specifically.

So what else…? Do most ‘good designers’ end up specializing in non-commercial sector? Maybe so, I don’t really know. They might be thinking – screw commercial interiors, it’s too hard/ boring, those type of clients don’t get it, the budgets are crap, etc. Am I right? I don’t want to necessarily be right by the way, I’m just trying to work this out by “talking” out loud and hopefully hear some of your thoughts. Which bring me to my next point – what is a good designer anyway? I wrote a little post back when I first started this blog which was about the similarities between Designers and Personal Trainers, and this idea that good designers’ role is to extend their client, much like a personal trainer does for their clients. Designers simply cannot rely on a “perfect client/ brief/ budget/ type of project”. We have to create our own opportunities by taking responsibility for every project. And I am not talking here about over the top try-hard commercial design, cause there’s plenty of that going on already. Seriously – why are some commercial interiors {particularly for advertising agencies or more creative businesses} so OTT and completely irrelevant? If you wouldn’t want to live there, why would you want to spend upwards of 8 hours working there? I just don’t get it.

Oh boy, what has started as a little post about a beautiful workplace project I wanted to share with you has turned into a massive rant. So I’ve decided to just go with the rant this time and I’ll show you that project on another occasion. In the meantime, I would absolutely love to hear what you guys think, regardless of whether you are a professional designer or not.

x dana

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{collage of images from yellowtrace image library}

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Abandoned Buildings | Photography by Katherine Westerhout.

I have a seriously serious fascination with old and historical buildings. There is so much to love about them – they are layered with character and stories from the past, and at the same time they present us with so many opportunities for the future. I often wonder why the building and architecture industry {and developers in particular} focuses on creating new buildings when there are so many old ones we could be refurbishing and adapting for the modern era.

Personally, I can’t imagine anything more special then being inside a beautiful old building which has been given a new lease on life having been carefully restored in a way which brings in modern conveniences we can’t seem to live without. This is one of my personal interests and my greatest dream – getting my hands on derelict and abandoned buildings, fusing then with thoughtful contemporary design and making them relevant today. And in the process creating coveted buildings and interiors for the future.

It should come to you as no surprise that I found these photographs by Katherine Westerhout incredibly fascinating. Katherine has been photographing abandoned buildings since 2003 as part of her ongoing series of urban landscapes. These images were taken throughout the US – Detroit, Buffalo, Eastern State, Deep South, New York, San Francisco Bay Area and beyond.

AWE and then SOME!

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Readers’ Question Answered: What is yellowtrace?

A few of my readers have asked me about the significance of the name “yellowtrace” and where it came from, so I thought it would be worth while writing a little post about it.

Yellowtrace is a soft tone transparent sketch paper ideal for overlaying, concept drawings and sketches, preliminary layouts and studies for final renderings. The paper responds beautifully to ink, charcoal, chalk or felt tip pens and markers and it is commonly used by designers, architects, engineers, illustrators and the like.

I go through kilometers of yellowtrace when starting any project – it is where most of my ideas and concepts are born before they are developed into final designs and built forms.

So you see, Husband and I thought it was a very fitting name to choose for a design practice and a design blog.

Everything begins as an idea, and all ideas, irrespective of their size or complexity, are created and developed on yellowtrace…

Apart from being an invaluable design tool, yellowtrace has many other unofficial uses. I quite like to use it as wrapping paper as per Exhibit A. It’s a perfect shade of yellow – just add fun stickers…

…and some ribbon…

… and voila!

x dana

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What do Criminals, Entrepreneurs & Designers have in common?

A few nights ago Husband and I sat on our couch and watched Public Enemies on DVD. This story, set in America in the 1930s, about a charismatic bank robber John Dillinager, was really beautifully told. There was something truly hypnotic and mesmerising about this movie.

I’m sure we’ve all seen a few films with an ever-so-popular theme of Good vs. Evil, where the “Evil”, or the villain, were far more charismatic than the “Good”. John Dillinger was one such character. Despite his questionable choice of vocation, he was a man of principal, someone who respected the public, had a system and followed the “rules”.

Well that’s just great Dana – I hear you say – but what does all this have to do with a “design blog”? Just bare with me, I’m getting to that bit, but first – a Tangent {which is also my middle name}.

All this got me thinking about a criminal’s mind, and I came to the conclusion that all wildly successful “good” criminals are brilliant entrepreneurs. Think about it. I imagine that in many ways it would be more difficult to start up an illegitimate venture than a legitimate business or a company. Whilst my intention isn’t to glamorise crime, there is no denying that quite a bit of creative thinking needs to be employed to pull off a major scam. Not just that – there has to be a vision – and this has to be backed by dedication, commitment, and a significant accountability for the inherent risks and the outcome.

So how is all this any different from being a {lead} designer on any creative project?

This {finally!!} brings me to my point and to the title of this post.

I’m of the opinion that a designer’s brain is wired in much the same way as that of an entrepreneur. We are constantly making new connections, assessing opportunities, identifying possibilities, looking at new and better ways of doing things, redefining spaces/ objects/ cities, creating that which didn’t exist before… Hmm, interesting. Then why is it so that many good designers and creative people in general, go on living a non-entrepreneurial life? Are most of us too caught up in the esoteric world, too concerned with the “perfect proportion”, the right “balance”, the ideal “shadow line” or whatever it may be, that we miss out on opportunities to become entrepreneurial forces to be reckoned with?

What would happen if, instead of worrying about the “shadow line”, we focused on discovering our core identity, awakened to opportunity, developed goals and strategies and taken BIG action?

Massive tangent, huh? Maybe so. I guess what I’m trying to say is – imagine if all the famous criminals chose to use their power for good instead of evil, and if all the designers in the world chose to focus some of their talents on creating entrepreneurial ventures with passion and vision they display in their daily work.

Two words for you my friends – World Peace.

What do you think?

{images via linocutboy’s etsy store - cool aren’t they?}

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Designer vs Personal Trainer.

If you are any kind of designer that works with clients, you may have been faced with a challenging brief at least once or twice in your “career” [I put that word in inverted commas as I really don't like it - it seems so formal, but that's for another discussion]. You may have had your clients come to you asking for solutions that really challenge the conventional, or maybe it’s just challenging for them.

The success of these [or any other] projects also relies on your clients ability to shift their thinking and start to see themselves in new ways. Perhaps this could be their new home where they ask you to design them a house with a series of open spaces that flow on from one another, but when it comes down to the crunch they freak out and start asking for the walls to be put back in, or they really want that kitchen to be closed off so that you can’t see the mess because “that’s how they live at the moment”.

I was recently involved in pitch to a potential new client which needed to address this very issue on a much larger scale than the house example I gave. The design brief, although not yet established, was clearly going to be a huge challenge for both the design team and the client. And often, as designers, we can use our client as an excuse as to why the project is never going to be the best it can be, or cutting edge, or innovative, because “our client just wasn’t that way” or “they are just too conservative”. I think that we need to remember that the role of our client is not to be innovative or creative. The role is to embrace innovation and creativity, and there is a big difference between the two. How can we expect them to get it, if we don’t show them how?

After some thought, I asked myself this question – are Designers in fact just like Personal Trainers and Coaches?

[I did tell you somewhere along the way that I love metaphors, didn't I?]

{image via creativebits.org}


Let’s say your client has a goal to get off their butt to do some exercise and get their fitness to a reasonable level so that they are not puffing each time they walk up a steep street. Or maybe they are already reasonably fit and just want to tweak things so they can run the next City to Surf. Or maybe compete in a triathlon. Or they may even have an ambition to become a world class athlete and a gold medalist. Clearly their goals will depend on where their starting point is, but also the level of commitment. After all, it takes a different amount of dedication from running a fun run to wining the gold. The personal trainer, or a coach has the tools to get their client anywhere they want to go, but first we need to know what the goal is. It’s called beginning with an end in mind.

Very often things get tough along the way, especially if the project is a long one. We get tired, the client loses their focus, other factors come into play like the budget, timing, contractors etc. It can be very easy to lose control especially if our clients starts to lose the track of what we are trying to achieve. It is exactly in those moments that we must be in control, just like the personal trainer. We have to coach our client through and keep our energy high so that the best outcome can be achieved.

Always remember that innovation isn’t an easy process. Just like winning gold. If it was, everyone would be doing it. Growth and results can hurt, and so can training with the coach, but the rewards are all the sweeter.

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